Dialogue
I am invested in conversations at the intersection of craft, pedagogy, collaboration, and the natural world. Below is work I have facilitated, edited or authored in print or in person. Click images below or check out the image view.
Publications Authored, Designed and/or Edited
The Living School of Art: a five-year collaboration of neighbors in an affordable housing apartment complex (2021) in East Portland, OR, Edited and Designed by Amanda Leigh EvansHello Neighbor Newspaper, Edited and Designed by Amanda Leigh Evans
This Is Where I Sleep: Photographs by Kids at The Living School of Art (2017), Co-Edited, Designed and Authored by Amanda Leigh Evans and Anke Schuettler
If You Can’t Grow It, You Have to Dig It: A Participatory Clay and Conversation Project on Mining, Rural Geology and Global Industry (2018), Edited, Designed and Authored by Amanda Leigh Evans
Social Objects (2016), Co-Edited and Designed by Amanda Leigh Evans and Mary Callahan Baumstark (with the Socially Engaged Craft Collective)
The Wishing Rocks (2018), Edited, Authored, and Designed by Amanda Leigh Evans (with The Living School of Art)
The Global Table (2016), Co-Edited, Authored and Designed by Amanda Leigh Evans and Krysta Williams
The KSMoCA Artist Mentorship Program (2018), interviews with mentor-mentee pairs at KSMoCA
Writing, Talks, + Interviews
After We Die (December 2022), interview by Midori Yamanaka for Social Forms of Art (SoFA) Journal
Social Practice as Conceptual Ceramics (2021), talk for Ceramics Congress
Living as Pedagogy: a four-part meditation on an ongoing, collaborative artwork among apartment neighbors (June 2022),
Social Forms of Art (SoFA) Journal
Shaped By The People: Conversations on Participatory Education (2019), Edited by Harrell Fletcher and Molly Sherman, featuring Amanda Leigh Evans in conversation with The Living School of Art.
An Open Letter to CFile (01.19.20), written by Amanda Leigh Evans
Talk to The Gun (2015), Edited by Gemma Rose Turnbull and published by Publication Studio, featuring Amanda Leigh Evans in conversation with her mom
Facilitated Conversations
The Useful Art Object: Considering Critical and Socially Engaged Craft Practices (2016), facilitated at Yale Union, Portland, OR
Considering Social Practice, Craft and Aesthetics (2015), facilitated at Museum of Contemporary Craft, Portland, OR
Social Craft Marathon Live! (2016) collaboration with the Socially Engaged Craft Collective for National Clay Week